
Fantomas meets the Sirens!
‘The Fantastic Aquarium’ (Mexico, 1974) Art by Gonzalo Mayo.
Fantomas meets the Sirens!
‘The Fantastic Aquarium’ (Mexico, 1974) Art by Gonzalo Mayo.
Our dear friend, John Richardson, kindly shared with us these three wonderful collages of sirens.
My beautiful, creative and talented friend, Patch (do check out her artwork here), recently shared a photograph of her mermaid tattoo on her thigh (pictured above) with me. What I found particularly striking about this image, was the uncanny resemblance it bore to Youki Desnos’ mermaid tattoo (pictured below), which is similarly positioned on her thigh.
This chance encounter between the two mermaid tattoos really resonated with Patch, prompting her response to the image: ‘I love that shot, [Youki’s] confidence and the fact [the men] look impressed rather than letchy’. Indeed, both women can be seen controlling the gaze in their respective photographs and embracing their femininity through the siren figure.
Our good friend, Tracy Thursfield, kindly shared with us her wonderful painting of a siren, based on the Star card from the Tarot.
I recently acquired the tattoo shown above right. It wasn’t until I showed it to the group that it was pointed out that it qualified as an image of La Sirena, both as a hybrid being capable of traversing earth and air, and because the sirens of the Homer’s Odyssey were female figures with wings.
The tattoo, by John at Bizarre Ink of Edinburgh, is based on the ‘Queen of the Night’ also known as the ‘Burney Relief’, shown at the top left. I had been fascinated by this figure for years, and finally got to experience her presence at the ‘Feminine Power’ exhibition at the British museum a few weeks ago. I was coming to a significant hinge-point in my life, a tattoo seemed an appropriate ritual marker, and I suddenly realised what it had to be.
The story of the Burney Relief is a mystery worthy of the pulps. Acquired from a dealer in the late nineteenth century, its exact origin is unknown and it was long thought to be a forgery. It has since been widely associated with Lilith, though current scholarship suggests it is a representation of the Ishtar, the Babylonian goddess of love OR Ishtar’s elder sister and arch-rival Ereshkigal, queen of the underworld. (The sisters were much later syncretised by the Greeks as Aphrodite and Hekate respectively.) This duality pleases me, and I suppose the tattoo represents whichever queen of the night I find myself in most need of at any given time.
Many thanks to our good friend, Dominic Tetrault, who recently came across these wonderful sirens, drawn by Robert Desnos – and has kindly shared them with us, at La Sirena.
Source for both images: Jacques Doucet literary library – https://bljd.sorbonne.fr/search?preset=19&view=medias&fbclid=IwAR2tfzUJ6p1tLXNhT2ECPf308qPdqDMTZCmCuDd7-9aqV9lShwkxm7sxCtg
The siren is an important figure in Desnos’s work and life. Here is one of several poems featuring sirens.
His partner and second great love, the artist, Youki (Lucie Badoud) was also associated with the siren, which she had tattooed on her thigh.
Our dear friend, Christine Haller, recently tracked down this rather marvellous siren by Myrlade Constant, in Venice, at the Biennale.
Our very good friend, Irene Plazewska, kindly shared this wonderful image with us.
Our dear friend, John Welson, has discovered another siren: ‘Wired and waiting. I called out to her, but her gaze was fixed upon the ocean, the rolling waves and turning tide…’